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Maurizio Nannucci (Florence, Italy 1939) is an Italian contemporary artist. He lives and works in Florence and Germany. Nannucci's work includes: photography, video, neon installations, sound installation, artist's books, editions. Since the mid-sixties he is a protagonist of international artistic experimentation in Concrete Poetry, Fluxus and Conceptual Art.〔Isabelle Schwarz, ''Archive fur Kunstlerpublikationen der 1960er bis 1980er Jahre'', Salon Verlag, 2008〕 ==Bibliography== In early sixties he studied art in Italy and Germany.〔Emmett Williams, ''An Anthology of Concrete Poetry'', Something Else Press, Inc., 1967, p.338〕 From 1965 to 1970 he had studied electronic and computer music in Florence. In 1967 he began to create first neon “writings”. Since the mid-sixties Nannucci explores the multifaceted interrelations between art, language and society, light and space, color and writing, art and nature. From the 1990s he investigates on the relationship between art, architecture, and urban landscape by collaborating with the architects Auer & Weber, Mario Botta, Stephan Braumfels, Massimiliano Fuksas, and Renzo Piano.〔Lorand Hegyi, ''Maurizio Nannucci, There is another way of looking at things'', Silvana Editoriale, 2012. p. 230〕 Nannucci has participated several times in the Venice Biennale, at the Documenta Kassel, and in the Biennals of São Paulo, Sydney, Istanbul and Valencia. His work belongs to museum collections including: Stedelijk Museum, Amsterdam; the Centre Georges Pompidou, Paris; Stadtische Galerie im Lenbachhaus, Munchen; Museion, Bolzano; Guggenheim Collection, Venezia; and Mamco, Genève.〔http://www.guggenheim-venice.it/inglese/collections/artisti/biografia.php?id_art=178〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Maurizio Nannucci」の詳細全文を読む スポンサード リンク
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